※ケースのデザインが変わることがございます。ご了承下さい。
*Please note that the case design may change.
一節切は、３３センチほどの短い縦笛で、室町時代から江戸時代初期を中心に流行した小型の尺八です。
その名前の通り、一節（ひとふし）の竹から作られていることから「一節切」と呼ばれていますが、室町時代は専ら「尺八」と呼ばれていました。起源には諸説有りますが、室町時代、臨済宗大徳寺派の一休禅師は尺八を愛奏し『狂雲集』をはじめとした漢詩にも詠んでいた事がよく知られており、当時の禅僧をはじめ、雅楽師、田楽師、猿楽師、琵琶法師、連歌師などあらゆる芸能者によって教養の中で見出されてきました。また、戦国武将も皆、一節切を家宝・城宝としていたことは、信長から秀吉にそして家康に譲られたと伝えられている一節切「乃可勢（のかぜ）」を筆頭に、全国中に現存する一節切からも解ります。しかし、江戸期以降は現行する尺八（根付きの虚無僧尺八）の台頭により次第に態を潜めてしまうのですが、近年では大河ドラマをはじめ時代劇の劇中に登場するなど少しずつ目にする機会も増えています。
The “hitoyogiri”, a short vertical flute measuring about 33 cm, is a type of shakuhachi which is small and was popular mainly from the Muromachi period (early 14c – late 16c) to the early Edo period (early 17c – mid 19c).
The word “hitoyogiri” means cutting one node of a bamboo. As its name suggests, hitoyogiri is made from a single section of bamboo, but in the Muromachi period it was called "shakuhachi" exclusively.
There are various theories about its origin, but it is well known that Zen master Ikkyu of the Daitokuji school of the Rinzai sect in the Muromachi period loved to play the shakuhachi and even composed Chinese poems on it, such as "Kyounshu". It is also known that warlords of the Warring States period (Sengoku period) all treasured hitoyogiri as family heirlooms and castle treasures. It is evidenced by the hitoyogiri surviving throughout Japan, including the hitoyogiri called "nokaze" that is said to have been handed down from Nobunaga to Hideyoshi and then to Ieyasu. However, after the Edo period, the hitoyogiri gradually went into hiding due to the rise of the current shakuhachi (“komuso” shakuhachi with roots), but in recent years, the hitoyogiri has gradually become more visible, appearing in historical TV dramas.
●特長/Features
・日本伝統楽器の管楽器、一節切尺八
・中世〜戦国にかけて公家、武家、楽家、僧侶などあらゆる階層間によって愛奏されてきました
・五つ孔からなり、竹本来の響きをたのしむことができます
・日本産真竹製（または淡竹製）
・割れ止め補強、装飾として樺巻を施しています
Hitoyogiri shakuhachi, which is a traditional Japanese wind instrument.
It has been played by all classes of people including court nobles, samurai, musicians, and priests from the Middle Ages to the Warring States period (Sengoku period).
It has five holes, and you can enjoy the original sound of bamboo.
Made of Japanese Madake (or Awadake) bamboo
Kaba-maki (the bark of the birch cherry tree is split into thin strips and rolled up into a string) is applied as reinforcement to prevent splitting and for decoration.
●サイズ/Size：全長：約33.5cm （外径：約2.7cm）/ Total length: approx. 33.5 cm (Outer diameter: approx. 2.7 cm)
●材質/Material：竹（国産）/Japanese bamboo
●付属品/Accessories：錦袋、歌口保護枕、運指標付き/ brocade bag, singing mouth protective pillow, fingering note
※一節切を扱う注意点/Notice
・乾燥を避けて保管して下さい
・吹き込み口（歌口）は非常にデリケートです
・万一、割れ等の破損時は修理が必要になります（要見積り、お問い合わせ下さい）
Please keep it away from dryness.
The singing mouth is very delicate.
If it is cracked or otherwise damaged, it will need to be repaired (Quotation required, please contact us.).
●製作/Maker：雲集堂企画/ Unshudo Project
●監修/ Supervisor：
籔内 洋介（やぶうち ようすけ）Yosuke Yabuuchi
東京藝術大学音楽学部邦楽科卒業及び同大学院修士課程音楽研究科修了。元東京藝術大学音楽研究センター教育研究助手。尺八奏者として、各種公演・劇伴録音への参加。日本芸能史の研究及び探求に努める。ブラジル、オーストリア、中国への単独招聘演奏他、アメリカ、韓国、クロアチア、フランスでの公演をつとめる。2019年「奈良シルクロードシンポジウム」企画監修アドバイザー。手塚治虫生誕90周年「火の鳥」コンピレーションアルバム『NEW GENE, inspired from Phoenix』への参加。2020年NHK大河ドラマ『麒麟がくる』への参加・出演。
Graduated from the Department of Traditional Japanese Music, Faculty of Music, Tokyo University of the Arts, and completed the master's program in music research at the same university. He is a former assistant at the Music Research Center of Tokyo University of the Arts. As a shakuhachi player, he has participated in various performances and recordings of background music. He has been researching and exploring the history of Japanese performing arts. He has been invited to perform in Brazil, Austria, and China, as well as in the U.S., Korea, Croatia, and France, and was a planning supervisor and advisor for the 2019 “Nara Silk Road Symposium”. He has participated in the compilation album "NEW GENE, inspired from Phoenix," celebrating the 90th anniversary of Osamu Tezuka's birth, and has appeared in the NHK TV drama in 2020.
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